Writer: Veli Mbele
The state ceremony that took place at uMgcina’s grave (Bantu Biko) recently, predictably ignited endless and emotionally-charged conversations, particularly within the Black Consciousness and Pan Afrikanist circles, with some going as far as describing what happened at Biko’s grave as a “disgrace” and “insult”, to both Biko and Mangaliso Sobukwe. For those who don’t know, there is a deeper and more painful context to these emotionally-charged and legitimate reactions. Continue reading “The Contested Legacies And Continued Erasure of Bantu Biko and Mangaliso Sobukwe After 94”
Writer: Kholeka Shange
Photographer: Suzy Bernstein
Within an African context, inkonjane (i.e. swallow) has always represented movement across space and time. According to Credo Mutwa, “Migratory birds are the souls of humans who have reached a high state of perfection”. Mutwa’s reference to birds as carriers of humanness is epitomised through Mike van Graan’s new play titled When Swallows Cry. In this play, the swallow is used as a symbol through which questions of migration and the othering of African migrants in the context of current global migration discourses are explored. This multi-layered narrative which is directed by first-time Director Lesedi Job captures the lived experiences of African migrants through the poignant and yet jocular performances of its cast Warren Masemola, Mpho Osei-Tutu and Christiaan Schoombie.
Continue reading “Yakhal’Inkonjane-When Swallows Cry”