The UJ Weekend of Jazz was more than a mere musical extravaganza; it was a sonic get-together, a profound exploration of the African jazz tradition. Set against the backdrop of Johannesburg, the festival offered a transformative experience for both musicians and audiences alike, delving into the depths of spirituality, cultural heritage, and musical innovation.
The weekend commenced with an electrifying performance by Mandla Mlangeni and the Tune Recreation Committee (TRC). Their Mbaqanga-infused set, characterized by intricate modal shifts and rhythmic complexity, immediately captivated the audience. Mlangeni, a renowned Soweto trumpet player, skillfully navigated the boundaries between tradition and modernity, creating a sonic landscape that was both familiar and exhilarating. The TRC’s ensemble, featuring pianist Afrika Mkhize, bassist Nick Williams, and guitarist Vuma Levin, provided a solid foundation for Mlangeni’s virtuosity, their interplay creating a dynamic and cohesive sound.
On the second night, Gabi Motuba delivered a mesmerizing performance that showcased her exceptional vocal abilities and deep understanding of the African musical tradition. Her set was more than just a concert; it was a masterclass in vocal storytelling, as she seamlessly blended ancient harmonies with contemporary jazz elements. Motuba’s performance was a testament to the enduring power of music to transcend cultural boundaries and connect with audiences on a profound level. Her ensemble, featuring a string section, Keenan Ahrends on guitar, Dalisu Ndlazi on double bass, Muhammad Dawjee on soprano and tenor sax, Thabang Tabane on percussion, and Tumi Mogorosi on drums, provided a rich and diverse sonic tapestry that complemented Motuba’s vocals.
The festival concluded with a spiritually uplifting set by Keenan Meyer. Meyer’s music, a fusion of ancestral callings and contemporary jazz, transported the audience on a sonic journey that was both introspective and transformative. His performance was a testament to the healing power of music and its ability to connect us to our roots and to each other. Meyer’s ensemble, featuring a harp alongside the piano, added a mystical element to the sound, creating a sonic landscape that felt both timeless and ethereal.
The UJ Weekend of Jazz was a testament to the enduring vitality of the African jazz tradition. It was a celebration of sound, culture, and spirit, a reminder of the power of music to inspire, heal, and connect. The festival showcased the incredible talent and creativity of South African musicians, demonstrating the rich and diverse soundscape of the country’s musical heritage.
Beyond its musical excellence, the UJ Weekend of Jazz also served as a platform for social and cultural engagement. The festival attracted a diverse audience, bringing together people from all walks of life to celebrate the power of music to unite and inspire. The festival’s impact extended beyond the Keorapetse William Kgositsile Theatre, as it fostered a sense of community and belonging among attendees.
