Writer: Mthokozisi Mthethwa | Photographs: Supplied
Stories that can be adapted across various art forms, including theater and film, and still retain their impact reveal a writer’s talent for capturing universal themes, allowing the work to resonate beyond specific historical or cultural settings. When writing The Suit, Can Themba crafted a timeless masterpiece whose relevance extends far beyond its era. The story reflects the human condition and showcases Themba’s visionary approach to storytelling.
The latest stage adaptation of The Suit at Theatre on the Square in Sandton is directed by the young and talented J.Bobs Tshabalala, who skillfully directs a classic play for modern audiences, creating a unique bridge between past and present. Tshabalala brings vibrant and refreshing energy to the narrative while honoring the play’s original simplicity.
Despite having access to modern resources, Tshabalala intentionally pared down the visual elements, keeping props minimal and using narrative storytelling and mime techniques in most scenes. This choice creates a powerful, stripped-down intimacy, allowing the actors to bring settings to life—from bathing scenes to bus rides and shared meals. In doing so, the director preserves the story’s original essence and authenticity.
After 30 years since its first presentation in 1994, this production celebrates not only the play’s enduring legacy but also South Africa’s 30 years of democracy, reflecting on how past struggles still echo in the country’s present. The play’s timeless message about dignity, love, betrayal, and forgiveness continues to challenge South Africans, exploring themes still relevant in today’s society.
In the play, both Matilda and Philemon embody the complexities of relationships. Matilda, a newly married woman, seeks fulfillment outside her marriage, driven by a desire for freedom from the confines of domestic life. Despite her husband’s affectionate gestures, such as bringing her breakfast in bed, she yearns for a deeper connection and the feeling of truly being listened to. On the other hand, Philemon, a hardworking and devoted husband, sinks into despair when he uncovers Matilda’s affair. His reaction leads to a struggle to maintain his dignity, torn between love and betrayal. Both characters are caught in a web of desires, expectations, and disappointments. Philemon uses the suit of Matilda’s lover as a form of punishment, forcing her to confront her betrayal every day. The garment becomes a metaphor for the trauma, shame, and regret weighing upon Matilda.
Tshabalala shared that although The Suit has been reimagined in various forms over the years, this particular production holds a unique joy for him, as it reunites two original cast members from the first staging: Sello Maake ka Ncube as Philemon and Job Kubatsi as Maphikela. This remarkable cast is joined by the gifted Tshiriletso Nkoane as Matilda and Lebogang Motaung as KK. Together, they form a truly special company, bringing depth and vitality to a timeless story that continues to resonate across generations. “What a joy it has been to tell the story in the newness of the now with people who brought it to life in the freshness of the then,” said Tshabalala, who describes the experience as a “creative relay,” where each cast member understands their responsibility to take up the baton, give their all, and pass it along in turn.
Another remarkable milestone is that The Suit not only celebrates 30 years of its continued legacy alongside South Africa’s 30-year journey in democracy but also marks the centenary of celebrated writer Can Themba. Born in 1924 in Marabastad, Themba would have turned 100 this year. His legacy as a storyteller lives on, reminding us of the enduring power of art to reflect and challenge society.
* The production runs until 16 November.
