Writer: Kulani Nkuna | Artwork: Imminent and Eminent Ecologies
Imminent and Eminent Ecologies, a very present exhibition curated by Leora Farber and Brenton Maart, offers a timely and critical examination of the Anthropocene era. Hosted by the Visual Identities in Art and Design Research Centre (VIAD) at the University of Johannesburg, this exhibition delves into the intricate interplay between human culture, technology, and the natural world.
By foregrounding the entanglement of living and non-living forms, the exhibition invites viewers to consider the ethical implications of human intervention in natural processes. The artists featured in this exhibition challenge traditional notions of art and science, offering alternative, often Indigenous, ways of understanding and interacting with the environment.
A key theme explored throughout the exhibition is the concept of decoloniality. The artists challenge Eurocentric perspectives on nature and technology, offering alternative, often Indigenous, ways of understanding and interacting with the environment. This decolonial approach is particularly evident in the works that explore the relationship between humans and non-human organisms, such as the microbial cultures and botanical installations.
The exhibition’s emphasis on trans-species democracy is another significant contribution to the field of contemporary art. By highlighting the interconnectedness of all living beings, the artists call for a more equitable distribution of agency and power. This approach is particularly relevant in the context of the climate crisis, as it underscores the need for a more holistic and inclusive understanding of environmental issues.
While the exhibition’s ambitious scope and diverse range of artistic practices may initially seem overwhelming, the curatorial approach is thoughtful and coherent. The exhibition’s design, with its emphasis on immersive experiences and interactive installations, enhances the viewer’s engagement with the artworks.
However, some of the works may require additional contextual information to fully appreciate their significance. In particular, the scientific underpinnings of certain bioart pieces could benefit from clearer explanations or accompanying texts.
Russell Hlongwane, Francois Knoetze and Amy Louise Wilson: Film still from Dzata: The Institute of Technological Consciousness 2023
Despite these minor criticisms, “Imminent and Eminent Ecologies” is a significant contribution to the field of contemporary art. By addressing urgent environmental and social issues, the exhibition offers a compelling vision for a more sustainable and just future. The exhibition’s exploration of themes such as bioethics, post-humanism, and ecofeminism positions it as a crucial intervention in contemporary discourse.
In conclusion, “Imminent and Eminent Ecologies” is a must-see exhibition for anyone interested in contemporary art, environmental issues, and decolonial thought. By challenging conventional notions of art and science, the exhibition offers a powerful and timely message about the urgent need to rethink our relationship with the natural world.
*The exhibition runs until 29 October 2024.
